On words, chairs, and everything you might read into

The work balan­ces betwe­en a lec­tu­re-per­for­man­ce, a dan­ce piece, and an ins­tal­la­ti­on, seeking its final form in real-time. It pro­po­ses, buil­ds, and esta­bli­shes, only to later shift, […]

14 03 2026

The work balan­ces betwe­en a lec­tu­re-per­for­man­ce, a dan­ce piece, and an ins­tal­la­ti­on, seeking its final form in real-time. It pro­po­ses, buil­ds, and esta­bli­shes, only to later shift, disman­tle, and reject form. Between objec­ts, move­ment, and wor­ds, the aut­hors esta­blish the­ir own lan­gu­age of per­for­man­ce. Chairs, as everyday props, shift the­ir fun­c­ti­on and beco­me a tran­si­ent ele­ment of the per­for­man­ce, much like wor­ds. The con­tent emer­ges from the mutu­al rela­ti­on­ship betwe­en the per­for­mers, wor­ds, and objec­ts, invi­ting the audi­en­ce to com­ple­te the per­for­man­ce thro­ugh the­ir own imagination.

a: Matea Bilosnić, Nataša Kustura, Kristina Lisica, Silvija Musić

Art orga­ni­za­ti­on Os was foun­ded in 2023 by four dan­ce artis­ts of the same generation—Silvija Musić, Nataša Kustura, Sara Trbara, and Kristina Lisica—following the­ir gra­du­ati­on from the Contemporary Dance Department at the Academy of Dramatic Art in Zagreb. As pro­fe­ssi­onal dan­ce artis­ts, they envi­si­oned Os as a spa­ce for col­la­bo­ra­ti­ve aut­hor­ship, rooted in sha­red artis­tic inte­res­ts and the explo­ra­ti­on of a col­lec­ti­ve cho­re­ograp­hic lan­gu­age. Their work focu­ses on the rela­ti­on­ship betwe­en the body, meaning, and inter­pre­ta­ti­on, as well as the pro­cess-based inves­ti­ga­ti­on of touc­h­po­ints betwe­en indi­vi­du­al poetics and a sha­red per­for­man­ce expre­ssi­on. The organization’s debut pro­ject is the per­for­man­ce On Words, Chairs and Everything You Might Read Into, cho­re­ograp­hed by Matea Bilosnić in col­la­bo­ra­ti­on with per­for­mers Kristina Lisica, Nataša Kustura, and Silvija Musić. Premiering in October 2025, the pro­duc­ti­on has sin­ce been in dis­tri­bu­ti­on, touring thro­ug­ho­ut Croatia. The work uti­li­zes a sub­tle inter­play of body, spa­ce, and con­text to ques­ti­on how we obser­ve, inter­pret, and “read” the act of per­for­man­ce, leaving room for the audi­en­ce’s mul­ti­laye­red per­cep­ti­on and per­so­nal inter­pre­ta­ti­on. In 2026, the Os Art Organization rece­ived sup­port from the City of Zagreb and the Ministry of Culture and Media of the Republic of Croatia for new pro­jec­ts. Among the­se is the duet Taking the Leap of Other, cre­ated and per­for­med by Nataša Kustura and Silvija Musić, which was selec­ted for co-pro­duc­ti­on and its pre­mi­ere at the Dance Week Festival (Tjedan suvre­me­nog ple­sa). Through its con­ti­nu­ous work, Os is buil­ding a dis­tin­c­ti­ve col­lec­ti­ve iden­tity wit­hin the con­tem­po­rary dan­ce sce­ne, fos­te­ring long-term artis­tic rese­ar­ch based on dialo­gue, col­la­bo­ra­ti­on, and col­lec­ti­ve creation.